They depict all this in a direct, tangible and concrete here and now, which is at the same time permeated by an awareness of the history, the structures and the balance of power from which the immediate present emerges in this country.
In the series about mines and miners the closely-woven portrait of the Boers, also known as Afrikaners, the portrait of a small town inhabited by middle class white people, the vivid visualisation of the black people's excessively long way to work, the large-scale project on housing, shops and churches as ‘sculpted in stone’ social structures, right up to the series of close-ups, the cropped images of gestures and attitudes and on to the new South Africa, to the colour photographs of urban officials, new work forms, the streets of Johannesburg and the constellations in the country.
David Goldblatt, as an exemplary documentary photographer, has explored the violent, conflict-torn history of his country, constantly focusing on the political and sociological development of South African society, the social disunity and the turbulent political events during apartheid.
With this large-scale retrospective, the Fotomuseum Winterthur pays tribute to the photographic work of David Goldblatt, winner of the Hasselblad Award 2006, the most important international prize for photography. The exhibition was created in collaboration with the Rencontres internationales de la photographie in Arles. The curators are Martin Parr and Urs Stahel.
FOTOMUSEUM WINTERTHUR
Grüzenstrasse 44+45 , CH-8400 Winterthur (Zurich)
From the series Particulars, 2003 Man sleeping, Joubert Park, Johannesburg, 1975 Gelatin-silver print, 50,8 x 61 cm
